Hi Guys,
WOW, I think I did it. I think I've finished my first novel. The fiction novel!!!!
It just kinda sprang up on me that I had actually finished it. Can I be honest? It felt really anti-climatic. I will explain why.
Whilst I had started writing my book with a planned storyboard in mind with all the chapters planned out, that did not happen. In fact I had written about 20,000 words before I decided to start all over again and start from scratch.
I pushed through with the novel, aiming to write 500-1000 words a day. I wasn't able to meet that goal on a day to day basis, due to some days where I either didn't have the creative juices or the lack of enthusiasm. Nonetheless, I followed my planned storyboard and slowly but steadily each planned chapter got written.
There were certain parts in the book that I enjoyed writing more than others, for example I didn't love having to describe an office setting compared to describing Ivy, one of the protagonists.
But considering I wrote this novel for practice, this was such a fantastic learning experience and I enjoyed every minute of it.
But now what next? I have written the book but I haven't gone back to make any proper edits, what do I do now? Writing the book seems so easy in comparison to the rest of the steps needed when it comes to being a legit, self published author.
Should I look for a book cover first or should I focus on getting the book edited?
Or both?
Or should I focus on networking and getting my name and book out there?
Maggie Way-A Newbie's Journey to Being an Author and More
Thursday 9 April 2015
Thursday 26 March 2015
How to Come Up With That Bestselling Book Title
I'm sure this has been an issue for every writer at some point.
You have poured your creative juices into a work you are proud of and depending on what stage of writing you are at, it is always at the back of your mind: WHAT DO I CALL THIS BOOK?
It seems like such a simple task to do, but how do you exactly pick the one title that will complement your book perfectly?
As someone writing their first novel, I have no bloody idea!
I get mixed opinions on the importance of the book title. For those 'don't judge book by its cover' believers, they say that there have been plenty of 'crappy' book titles that were bestsellers, whereas there are the 'definitely judge a book by its cover' crowd that think the title can make or break.
From scouring on the internet here are some tips I have picked up (thanks to Karen Woodward for her very helpful article!)
1. Indicates the Genre
This should be a no brainer, but it can be difficult to do this. My novel is about two sisters, more of a chick lit style book but am I just going to call it 'Sister to Sister'? No, the title should indicate what genre without being too obvious.
2. Memorable
Probably the hardest criteria to meet, how exactly do you think of a title that is memorable? As difficult as this may be, this is something you need to think about, having a title that will stick in their head as they peruse through the bookshop or online and go ''oooooh' that looks interesting!''
Help readers out, make the title of your work memorable. Yes, I know, that's
easier said than done but there are a few simple tips.
Short
I'm not an expert on what makes a good title, but I personally like short titles as it does make it easier to memorise, 5 words or less is a good starting point.
Poetry
Try giving a poetic edge, sometimes a figurative phrase can sum up your book purpose perfectly.
Maryann Yin gives these titles as examples: When Crickets Cry and Wildflowers
from Winter.
3. Use the Characters
Is your book more focused on character development? Perhaps the title can describe a facet of them that drives the plot of the story. In a way, many of the same things that can be said about what makes a character
interesting can also be said about titles. Or you could just simply name the book after them, if the story is really about them and their development.
Contradictory qualities
Indiana Jones was a fearless adventurer, but he has an irrational fear of
snakes. He'll face a wave of enemy soldiers without blinking but get near a
snake?
4. Descriptive
If you could make the descriptive title imply an action so much the better. Of
course, again, that's much easier said than done. For example:
- Gone with the wind
- The Silence of the Lambs
- Fahrenheit 451
-The DaVinci Code
What do these book titles have in common? They all are used in the book, whether directly or indirectly but they all represent a key plot device. This can be a very interesting way to allude the reader back to the title and gives the title a sense of legitimacy and realism.
5 Tips For Brainstorming The Perfect
Title
I love K.M. Welland's blog, she
gives practical advice I frequently find myself using when I write. For
example, in how to brainstorm titles.
She writes:
i. Research titles in your genre.
Zoom by Amazon and take a look at your genre’s bestseller list. What do the top
twenty titles have in common? Write down the ones that particularly pop out at
you and note the elements that make them attractive. How can you replicate
their effect?
ii. Consider your book’s text.
Your title makes a promise to readers about what they will find inside the
book. So why not look inside the book itself to find the title? Are there any
lines that pop off the page? Any particularly memorable or unique phrases? What
one line in the book best sums up the theme, premise, or protagonist?
iii. Look up words in the dictionary.
Grab your dictionary and flip it open to a random page. Do any words pop out?
Make a list.
iv. Analyze songs/poems/books.
One of my favorite techniques is to pull vivid imagery from songs, poems, and
old books (the King James translation of the Bible is particularly full of
strong and unique words). Make a list of the best phrases and start playing
with them. A little clever wordplay can go a long way toward making your title
stand out.
v. Free write.
Scribble down every title, word, or combination of words you can think of. I
often cover pages in my notebook with various title ideas. Most are dumb, but
there’s always one that finally pops out as the perfect representation of the
book.
5 Online Tools
If all these tips do not help, the internet is your friend. You can use various online book title generators to get some inspiration but it really helps to have a draft list of titles at hand for you to get an idea of what title you want.
For any non-fiction writers I came across this fantastic tool which analyses the likely chance your book title is a bestseller, I can't speak for its effectiveness but it certainly has been helpful for me when it came to naming my non-fiction books. The tool is called Lulu Titlescorer and you can use it free, anytime of day :)
Do you have any tips for how to generate a book title? I would love to see what you came up with :)
Friday 20 February 2015
As A Up and Coming Author, Who Can You Trust?
This is something that has been at the forefront of my mind, as I am trying to learn the ropes of what it takes to be a self-published author. Unfortunately there are so many charlatans and scam artists just waiting to ambush the unsuspecting author. How can a novice writer protect themselves?
Anyone can call themselves a publisher. Always remember money flows towards the author from the publisher, not the other way round. Vanity publishers are the worst in my opinion, and from personal experience I know people who were very close to, but luckily got out of, being deceived by their so called promises to help them break the big time.
Anyone can call themselves a publisher. Always remember money flows towards the author from the publisher, not the other way round. Vanity publishers are the worst in my opinion, and from personal experience I know people who were very close to, but luckily got out of, being deceived by their so called promises to help them break the big time.
After doing my own personal research, these were some basic tried and true methods.
What to look out for:
What to look out for:
Directs authors toward specific editing services or gives authors’ names to these services, with the caveat that if the author hires the editing service, their book will be published. Every book needs editing. It is part of the publisher’s job to provide that editing at no cost.
Offers a contract where the author has to pay for part of the publishing costs. The acquisition editor will sometimes say that the publisher’s list is full for that season, but the author’s book has so much going for it, they would still like to publish it. However the publisher’s resources are fully committed and the author will have to share in the costs.
Some publishers offer contracts that are unfair, such as they obtain rights that should remain with the author of the work.
Some publishers’ contracts contain a clause that if the author says anything negative about the publisher, there is a monetary fine.
There are also publishers who hold the rights for a lengthy time period, regardless of whether the book is still in print or selling.
The publisher doesn’t disclose they are a Publish on Demand (POD), or vanity/subsidy publisher. There is nothing wrong with an author using a subsidy/vanity publishing company as long as the author is well aware of the disadvantages. Publish on Demand books are not, as a rule, stocked by bookstores.
Some POD publishers will insist that their books are available in book stores, as a way to get around this issue. Available is not the same thing as stocked. Available only means the book can be ordered through the bookstore. Since the majority of books sold, are stocked and sold by bookstores, this situation puts a damper on sales.
What else can a writer do to check if a publisher is legitimate?
Go to the local bookstore and see if any of the publisher’s titles are stocked. Ask the manager if necessary.
Search the Internet using the publisher’s name plus the word ‘scam’ or ‘complaint.’
A publisher’s website is targeted to its customers. If the website promotes the books they’ve published that’s a good sign.
If the website is focused on recruiting writers, that’s a bad sign.
Go to forums or bulletin boards that are for writers and see what the authors who have published with the publisher you’re considering have to say about their experience.
Charges the author a fee up front, to have their book accepted, considered or read. These fees are sometimes called a reading fee, intake fee or administrative fee.
Content from this article has been Copied with permission
Offers a contract where the author has to pay for part of the publishing costs. The acquisition editor will sometimes say that the publisher’s list is full for that season, but the author’s book has so much going for it, they would still like to publish it. However the publisher’s resources are fully committed and the author will have to share in the costs.
Some publishers offer contracts that are unfair, such as they obtain rights that should remain with the author of the work.
Some publishers’ contracts contain a clause that if the author says anything negative about the publisher, there is a monetary fine.
There are also publishers who hold the rights for a lengthy time period, regardless of whether the book is still in print or selling.
The publisher doesn’t disclose they are a Publish on Demand (POD), or vanity/subsidy publisher. There is nothing wrong with an author using a subsidy/vanity publishing company as long as the author is well aware of the disadvantages. Publish on Demand books are not, as a rule, stocked by bookstores.
Some POD publishers will insist that their books are available in book stores, as a way to get around this issue. Available is not the same thing as stocked. Available only means the book can be ordered through the bookstore. Since the majority of books sold, are stocked and sold by bookstores, this situation puts a damper on sales.
What else can a writer do to check if a publisher is legitimate?
Go to the local bookstore and see if any of the publisher’s titles are stocked. Ask the manager if necessary.
Search the Internet using the publisher’s name plus the word ‘scam’ or ‘complaint.’
A publisher’s website is targeted to its customers. If the website promotes the books they’ve published that’s a good sign.
If the website is focused on recruiting writers, that’s a bad sign.
Go to forums or bulletin boards that are for writers and see what the authors who have published with the publisher you’re considering have to say about their experience.
Charges the author a fee up front, to have their book accepted, considered or read. These fees are sometimes called a reading fee, intake fee or administrative fee.
Do you agree with this article? Or do you have a personal experience you can relate?
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